For the last 6 years visual artist Caroline Fuss's artistic practice has been rooted in an autobiographical approach. As both the subject and the observer of her own narrative, Caroline Fuss simultaneously assumes the roles of director and protagonist. Her approach is akin to a quasi-documentary perspective: the fragments of life presented are neither intended to be justified nor explained, but rather to be made visible and exposed as material open to analysis, interpretation, and the viewer's critical inquiry. Far from being merely a narrative device or a straightforward recourse to the personal, Caroline Fuss's autobiographical practice emerges as a space of formal, conceptual, and critical inquiry. It becomes a site of artistic demonstration and experimentation, revealing how her autobiographical narrative functions not only as content but also structures her working process, the choice of artistic forms, and the reception of the works by the audience. Each work constitutes an autonomous construct, referring to a specific and distinct moment in the artist's personal history. Rather than following a strictly chronological narrative, the body of work is structured according to a logic of fragmentation, in which each piece functions as a singular narrative. The work does not recount lived experience as a continuous story; instead, it brings together fragments, tensions, and emotional states.