{"id":256,"date":"2020-02-03T20:47:46","date_gmt":"2020-02-03T17:17:46","guid":{"rendered":"https:\/\/carolinefuss.com\/?page_id=256"},"modified":"2026-08-14T12:22:35","modified_gmt":"2026-08-14T13:52:35","slug":"biographie","status":"publish","type":"page","link":"https:\/\/carolinefuss.com\/?page_id=256","title":{"rendered":"About Caroline"},"content":{"rendered":"

Caroline Fuss\u2019s artistic practice has been shaped by an autobiographical approach. At once the subject and observer of her own narrative, she positions herself simultaneously as director and protagonist. Her work adopts an almost documentary perspective: the fragments of life she presents are neither justified nor explained, but made visible and exposed as open material for analysis, interpretation, and questioning by the viewer.<\/h4>\n

For Caroline Fuss, autobiographical practice extends beyond the simple act of recounting the self. It opens up a space for formal, conceptual, and critical inquiry, in which autobiography becomes a tool for artistic experimentation and reflection.<\/h4>\n

Each work constitutes an autonomous structure, referring to a specific and distinct moment in her personal history. Rather than following a strictly chronological narrative, the body of work unfolds through a logic of fragmentation, with each piece functioning as an independent narrative. The work therefore does not recount a lived experience in a continuous form; instead, it brings together fragments, tensions, and emotional states.<\/h4>\n

——————-<\/h4>\n

Le travail artistique de Caroline Fuss suit une d\u00e9marche autobiographique. \u00c0 la fois sujet et observatrice de son propre r\u00e9cit, Caroline Fuss se situe simultan\u00e9ment comme metteuse en sc\u00e8ne et protagoniste. Cette approche s\u2019apparente \u00e0 un regard quasi documentaire : les fragments de vie pr\u00e9sent\u00e9s ne cherchent ni \u00e0 \u00eatre justifi\u00e9s ni expliqu\u00e9s, mais \u00e0 \u00eatre rendus visibles, expos\u00e9s comme des mat\u00e9riaux ouverts \u00e0 l\u2019analyse, \u00e0 l\u2019interpr\u00e9tation et au questionnement du regardeur.<\/h4>\n

Chez Caroline Fuss, la pratique autobiographique d\u00e9passe le simple r\u00e9cit de soi. Elle constitue un espace de recherche formelle, conceptuelle et critique, o\u00f9 l’autobiographie devient un outil d’exp\u00e9rimentation artistique.\u00a0<\/span><\/h4>\n

Chaque \u0153uvre constitue un dispositif autonome, r\u00e9f\u00e9rant \u00e0 un moment pr\u00e9cis et distinct de son histoire personnelle. Sans adopter une narration strictement chronologique, l\u2019ensemble du travail s\u2019organise selon une logique de fragmentation, o\u00f9 chaque pi\u00e8ce fonctionne comme un r\u00e9cit singulier. Ainsi l\u2019\u0153uvre ne raconte pas une exp\u00e9rience v\u00e9cue de mani\u00e8re continue ; elle en rassemble des fragments, des tensions et des \u00e9tats \u00e9motionnels.\u00a0<\/span><\/h4>\n

———————<\/h4>\n

Die k\u00fcnstlerische Praxis von Caroline Fuss ist von einem autobiografischen Ansatz gepr\u00e4gt. Als zugleich Subjekt und Beobachterin ihrer eigenen Erz\u00e4hlung tritt sie sowohl als Regisseurin als auch als Protagonistin auf. Ihre Arbeit entwickelt dabei eine nahezu dokumentarische Perspektive: Die pr\u00e4sentierten Lebensfragmente werden weder gerechtfertigt noch erkl\u00e4rt, sondern sichtbar gemacht und als offenes Material zur Analyse, Interpretation und Befragung durch die Betrachtenden ausgestellt.<\/h4>\n

Bei Caroline Fuss geht die autobiografische Praxis \u00fcber die blo\u00dfe Selbsterz\u00e4hlung hinaus. Sie er\u00f6ffnet einen Raum f\u00fcr formale, konzeptuelle und kritische Recherche, in dem die Autobiografie zu einem Instrument k\u00fcnstlerischer Erprobung und Reflexion wird.<\/h4>\n

Jede Arbeit bildet ein eigenst\u00e4ndiges Gef\u00fcge, das auf einen konkreten und jeweils unterschiedlichen Moment ihrer pers\u00f6nlichen Geschichte verweist. Ohne einer strikt chronologischen Erz\u00e4hlweise zu folgen, entwickelt sich das Gesamtwerk entlang einer Logik der Fragmentierung, in der jede Arbeit als eigenst\u00e4ndige Erz\u00e4hlung funktioniert. Das Werk erz\u00e4hlt somit keine kontinuierliche gelebte Erfahrung, sondern versammelt Fragmente, Spannungen und emotionale Zust\u00e4nde.<\/h4>\n

<\/h4>\n","protected":false},"excerpt":{"rendered":"

Caroline Fuss\u2019s artistic practice has been shaped by an autobiographical approach. At once the subject and observer of her own narrative, she positions herself simultaneously as director and protagonist. Her work adopts an almost documentary perspective: the fragments of life she presents are neither justified nor explained, but made visible<\/p>\n

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